Monday, April 27, 2015

Personal Project: FINAL AND COMPLETE TREATMENT



Kayaking Short Treatment
     The scene opens up with a father and a son loading up camping gear into the bed of a 1988 Maroon and Silver Chevy Silverado. On top of the truck are racks holding two brightly colored Kayaks, blue and orange. The boy is about 6-10 years old, and the father is 37-40 years old. They each give the mom a kiss on the cheek goodbye, and as soon as the little boy jumps into the front passenger seat and closes the door, she sets an army green fishing hat on top of his head, adorned with a few fly fishing lures. The opening scene ends with the son and father getting into the truck, and driving down the street.
     The next scene follows the father and the son driving on a long stretch of desert highway. There will be shots of the son laughing, the father laughing, the son looking up at the father. The father changing the radio station, adjusting the rearview mirror… The drive will take place around golden hour, and the sunshine will be bouncing around the truck cab. The father and son get out of the truck when they reach their destination near a lake side. The sun has almost set, but the left over light from the sun set turns everything blue, and barely visible. The son and father make a tee-pee shaped fire, in a fire pit surrounded by rocks, and begin to set up their tent for the night. The father and son roast marshmallows over the fire, and make s’mores. The little boy falls asleep with his head against his father’s shoulder, so the father picks him up and carries him to the tent to sleep. The next scene opens up as the morning light floods into the tent (possibly a time lapse of the sun rising?). The little boy wakes up first, and drags his father out of the tent. They both emerge from the tent dressed for the day. The little boy is extremely ecstatic, but the viewers can tell that the father is still tired from being woken so early, he is happy that his son is happy. They unload the kayaks from the truck and pack lunch, water, and other necessary items for the excursion into the kayaks. There is a scene of the kayaks touching the water as they are set in. The father picks his son up, and sets him in the kayak. The father teaches his son how to use the paddle, but the son struggles. The father smiles, and tells him to slow down and try again. The son figures it out. There are several landscape shots of the father and son floating in and out of red rock canyons. The father and son dock on a sandy shore embellished with shrubbery. The father gets two lunch boxes out of the kayak, and two bottles of water. They find a rock and sit to enjoy their lunch in the noon sun. By this time the little boys fishing hat has been removed so that it’s hanging around the back of his neck. The father picks up the top of the hat and places it on his sons head to ensure that he doesn’t get sun burnt.
     As the son and the father are finishing up their lunch the father notices that clouds are beginning to roll in, but he doesn’t worry and figures that they will have plenty of time to get back to their camp. They load up the kayaks and head back out onto the water. The father paddles with haste, as the clouds become darker and darker but his son is growing tired and slows down to almost a stop. “I’m so tired, dad. I don’t think I can paddle any longer.” Says the son. “Son, the clouds are moving in fast and if we get caught in a storm out here on the lake we’ll be in big trouble. These little boats aren’t meant to ride on white capped water.” The father replies, with worry in his voice. The father attaches the boats together so that he is also pulling part of the weight of his son’s kayak. The wind picks up even harder and the father becomes extremely worried, and is also growing tired with the added weight of his son, and the second boat. He begins to look for a place to take shelter, because by now it is clear that they won’t make it back to camp by the time the rain starts. He spots a cave about a half a mile away, and makes the decision to head for it. As he begins heading for the cave, rain begins to fall and by this time the father is shouting orders at the son. “Secure your life vest, and hang on to your paddle! If you fall out of the boat keep your head above water, and try to hang onto one of the boats.” Because of the wind whipping back and forth and the chaos of the moment, the boy starts to cry. The father paddles as fast as he can, and eventually makes it into the cave. They secure the boats to some rocks on the edge of the cave and try to take refuge in the cave. The young boy and his father spend the next couple of hours in the cave, but eventually the storm lets up enough for them to get back out onto the water and try and make it back to camp for a second time.
     The sunshine breaks through the grey clouds, as the boy and the father make their way back to camp. Their little detour cost them a few hours that they had not planned on, so the father figured that it wouldn’t be until sunset that they get back to camp. As they paddle along, the boy still a bit shaken, he looks at his father with a new found respect. Their camp is finally in view, and they begin to pull up to the shore just as the sun is setting. They pack up their camp, and the boy cannot stop marveling at the courage of his father. They load the kayaks into the truck with the last light of the day dying before them.

Personal Project: Final 1/2 page conclusion of the Treatment.



The sunshine breaks through the grey clouds, as the boy and the father make their way back to camp. Their little detour cost them a few hours that they had not planned on, so the father figured that it wouldn’t be until sunset that they get back to camp. As they paddle along, the boy still a bit shaken, he looks at his father with a new found respect. Their camp is finally in view, and they begin to pull up to the shore just as the sun is setting. They pack up their camp, and the boy cannot stop marveling at the courage of his father. They load the kayaks into the truck with the last light of the day dying before them.

Tuesday, April 21, 2015

Guest Speaker: Darrin Fletcher

-Story board artist
-Drew and colored things from the age of 16
-Be willing to work for free on the first few things to gain experience.
-Have a good work ethic
-Network with other people

Monday, April 20, 2015

Personal Project: Treatment 1.5 pages of story.



As the son and the father are finishing up their lunch the father notices that clouds are beginning to roll in, but he doesn’t worry and figures that they will have plenty of time to get back to their camp. They load up the kayaks and head back out onto the water. The father paddles with haste, as the clouds become darker and darker but his son is growing tired and slows down to almost a stop. “I’m so tired, dad. I don’t think I can paddle any longer.” Says the son. “Son, the clouds are moving in fast and if we get caught in a storm out here on the lake we’ll be in big trouble. These little boats aren’t meant to ride on white capped water.” The father replies, with worry in his voice. The father attaches the boats together so that he is also pulling part of the weight of his son’s kayak. The wind picks up even harder and the father becomes extremely worried, and is also growing tired with the added weight of his son, and the second boat. He begins to look for a place to take shelter, because by now it is clear that they won’t make it back to camp by the time the rain starts. He spots a cave about a half a mile away, and makes the decision to head for it. As he begins heading for the cave, rain begins to fall and by this time the father is shouting orders at the son. “Secure your life vest, and hang on to your paddle! If you fall out of the boat keep your head above water, and try to hang onto one of the boats.” Because of the wind whipping back and forth and the chaos of the moment, the boy starts to cry. The father paddles as fast as he can, and eventually makes it into the cave. They secure the boats to some rocks on the edge of the cave and try to take refuge in the cave. The young boy and his father spend the next couple of hours in the cave, but eventually the storm lets up enough for them to get back out onto the water and try and make it back to camp for a second time.

Thursday, April 16, 2015

Guest Speaker : Marshall Moore (on the phone)

- talking about the money
- once we have that in place we can start planning for everything else
- we have a good start

Tuesday, April 7, 2015

Class Discussion : Theme fo the Production book

- scrapbooky
- use as many of the images as possible
- Newspaper and magazine articles
- text
- Color scheme R,W,B

Thursday, April 2, 2015

Personal Project: Treatment, part II (1.5 pages of general information)


The next scene follows the father and the son driving on a long stretch of desert highway. There will be shots of the son laughing, the father laughing, the son looking up at the father. The father changing the radio station, adjusting the rearview mirror… The drive will take place around golden hour, and the sunshine will be bouncing around the truck cab. The father and son get out of the truck when they reach their destination near a lake side. The sun has almost set, but the left over light from the sun set turns everything blue, and barely visible. The son and father make a tee-pee shaped fire, in a fire pit surrounded by rocks, and begin to set up their tent for the night. The father and son roast marshmallows over the fire, and make smores. The little boy falls asleep with his head against his father’s shoulder, so the father picks him up and carries him to the tent to sleep. The next scene opens up as the morning light floods into the tent (possibly a time lapse of the sun rising?). The little boy wakes up first, and drags his father out of the tent. They both emerge from the tent dressed for the day. The little boy is extremely ecstatic, but the viewers can tell that the father is still tired from being woken so early, he is happy that his son is happy. They unload the kayaks from the truck and pack lunch, water, and other necessary items for the excursion into the kayaks. There is a scene of the kayaks touching the water as they are set in. The father picks his son up, and sets him in the kayak. The father teaches his son how to use the paddle, but the son struggles. The father smiles, and tells him to slow down and try again. The son figures it out. There are several landscape shots of the father and son floating in and out of red rock canyons. The father and son dock on a sandy shore embellished with shrubbery. The father gets two lunch boxes out of the kayak, and two bottles of water. They find a rock and sit to enjoy their lunch in the noon sun. By this time the little boys fishing hat has been removed so that it’s hanging around the back of his neck. The father picks up the top of the hat and places it on his sons head to ensure that he doesn’t get sun burnt.

Class Discussion: end of semester expectations....

  • Production Journal - 200 points
  • Personal Project - 200 points
    • Treatment or...
    • 1st Draft screenplay.
  • Picabo Pre-production - 200 points
  • Final - Thurs. May 7th 12:30

Class Discussion: Grading Rubric

200 pts - production journal
200 pts - personal project (treatment or first draft of screenplay)
200 pts - Picabo Pre- Production
- Final = Thurs May 7th @ 12:30

Tuesday, March 31, 2015

Guest Speaker: Picabo Street

  • Picabo talks about how surreal it is that she's done as much as she has.
  • Spends her time raising her boys.
  • Thinks it's cool that she can bring back some of her past.
  • Story about Ski Patrol Griffin...
  • Opening scene is picabo talking about her childhood in Triumph Idaho.
  • Wants to get the point across that she is a caring person, but can set it aside to win a race and be determined.
  • Before the run story could prove to be more important than the actual run.
It was so awesome meeting Picabo... I've seen countless interviews with her, and even watched some of her home movies, and races. It was really cool to meet her in person. She was so down to earth, and very comfortable to talk to. I feel like these are things we need to bring out in our movie. 

Thursday, March 26, 2015

Class Discussion: Table-Top Shooting

  • Documenting three dimensional items by filming them.
  • How can you use this for your personal film?
  • Separate object from the background via ring lighting.

Wednesday, March 25, 2015

First 1/2 page of treatment. (Specifics on the Opening scene)


The scene opens up with a father and a son loading up camping gear into the bed of a 1988 Maroon and Silver Chevy Silverado. On top of the truck are racks holding two brightly colored Kayaks, blue and orange. The boy is about 6-10 years old, and the father is 37-40 years old. They each give the mom a kiss on the cheek goodbye, and as soon as the little boy jumps into the front passenger seat and closes the door, she sets an army green fishing hat on top of his head, adorned with a few fly fishing lures.

Tuesday, March 24, 2015

Class Discussion: Production Book

  • Looked at production book, and other paperwork from Team 51.
  • Talk the book up.
  • Display a list of successful, likewise films.
  • Make things colorful, and interesting to look at.
  • The production book sets the precedent for the film.
  • Talk about where the money goes.
  • Use the Team 51 information, such as the risks page.
  • Have ideas for an opening scene for the movie.

Thursday, March 19, 2015

Personal Project

I'm planning on creating a treatment for a short film on Kayaking. Phil suggested creating a story line, such as a flashback memory of a boy's memory of his first kayaking trip. Thinking about using a first person, GoPro-ish POV for the filming. Lots of golden hour shots with warm light. An adventure film.

Tuesday, March 17, 2015

Guest Speaker: Brian Straussman (screenwriting)

- If you produce an interesting script, it's your ticket to hollywood.
- all movies start with screenplay.
- know your ending - you need to know where you're going, what eventually happens?
- Middle - where does the story take a turn?
- 4 page narrative synopsis (generals and specifics)
  • Double Spaced, 12 pt Courier
  • structure for screenplay
    • 1st 1/2 page first scene specifics. How does the movie open?
    • 1st page 2nd 1/2 of page, general info.
    • 2nd page, 1st 1/2, plot point. Turning point that always takes place in dramatic movies. (specifics)
    • 2nd & 3rd page, 1.5 pages of general info. Throw conflict against the character. (middle)
    • 4th page, 1st 1/2 2nd plot point. (Specific)
    • 4th page, 2nd 1/2 Specific Conclusion. 
Velocity Girl - The Picabo Street Story.

Thursday, February 12, 2015

Class Discussion: Lost in La Mancha

- stay on budget.
- healthy actors
- location scouting, and planning before hand.
- plan, plan, plan.

Tuesday, February 10, 2015

Class Discussion

Park City Trip Times...

Thurs Feb. 26th - 3:00 p.m. Leave SG
Friday Feb. 27th 9-6:00
Saturday Feb 28th 9:10:30 Park City Studio, 11-4 location scouting.

Production Book:
- cast
- What sells the idea
- photographs of skiiers
- google doc.

Thursday, February 5, 2015

Class Discussion: Phone call with Dee Street, Picabo's Mom.

jalbertproductions.com
- might have some useful material.

-Not many photos or videos from childhood.
-Bring an HD scanner to take information with us when we visit Dee.
-Has a timeline of Picabo's career.
-using kids of other team mates as our actors?
-Warren Miller Has footage of Picabo around the age for 15. Footage of 3 girls skiing.
-Old home is still there.
-Picabo was getting readdy to participate in a utah race, and she was at dinner... one of her fav songs was Dreams can come true by.. Garry/Jeffrey Alan?. When she got in the limo after dinner to go home Alan was in the limo.
-Had a scarf that she wore around her neck. Good luck charm?
-When talking to Picabo the info comes fast and hard.

Class Discussion: Picabo Pre-Production Crew

Research- ALL
Producer- Phil Tuckett
Pre-Production Supervisor- Tyler Peterson

Writers Group (treatment, synopsis, script)- Aaron Hall, Ashley Harrison, hristopher Bates, Ma, Keshara Bjorkman, Allie Mercier
Production Book- Nicole Winona, Jaleesa Dumas, Kassi Gillette

Business Plan- Darius Williams, Sam Harmon

Casting-Morgan Fuller, Tracy Nielson, Cade Mecham
Locations- Marcus Johnson, Bradee Blanchard, Kasey Fox, Matt Merril

Wardrobe-  Bradee Blanchard, Matt Merril

Props- Jon Tinsley, Maddie Kelm, Matt Merril

Production Schedule- Aaron Hall, WaiFung Lo

Stock Footage & Stills Rights- Darius Williams, Jon Tinsley

Production Design- Ashley Harrison, Cade Mecham, Maddie Kelm, Morgan Fuller, Kassi Gillette

Camera Dept. Shot List- Keshara Bjorkman, Kasey Fox, Waifung Lo

Music- Tyler Peterson, Jaleesa Dumas

Trailer Production and Marketing- Sam Harmon, Christopher Bates, Allie Mercier, Corby Bradshaw, Nicole Winona.

Tuesday, February 3, 2015

Guest Speaker : Larry Groupe

Movie Music
- film composer
- collaborative process
- use already composed music? or have it composed? Commission it?
- composers get a "package deal"
  •  given x amount of $ to pay all people involved in recording/writing. etc.
- Bernard Herman - great composer.
- make the music move with the imagery.
-Leit Motif used by composers to make the film and music cohesive.
- sometimes working more simply is better. 

Thursday, January 29, 2015

Class Discussion: Picabo Pre-Production Crew

  • Producer - Responsible for everything (phil)
  • Pre-Production Supervisor - in charge of keeping all of the information together. Two people, perhaps?
  • Production Book - has director, list of proposed actors. Needs a disclaimer saying that the investment is not insured.
  • Writers - (treatments, synopsis, script) - how do you script the emotion?
  • Line Producer - (budget, projections, business plan) - Figure out the money. Assistant to producer, who's focus is Budget.
  • Casting - specific people. looking for an actress who can ski (5, 10, 16, 20).
  • Locations - High Rugged Mountain Country.
  • What were skiiers wearing in the 70's? Hairstyles? 
  • Props - goes with wardrobe.
  • Production Schedule - unit prod. Manager for the whole film. When and where what is shot.
  • Research - everyone needs to research. Blog all research. Facts about downhill skiing. 
  • Stock Footage and still rights fees - paying for footage shot by others.
  • Production Design - overall look that the film will have. 
  • Camera Department shot list - Drones... how will things be shot? 
  • Trailers Production - like the production book. Shows investors the ideas we have in mind. Behind the scenes on development of the film.

Tuesday, January 27, 2015

Guest Speaker: Doug Wellman

- Producer: the person who is responsible.
  1. acquire a property.
    1. Find something to develop
      1. book, song title.
    2. Purchase or option
      1. purchase - pay for the rights to use it.
      2. Option - gives you the right to consider and develop an idea.
  2. Get the property to someone who will develop it.
    1. Treatment - give the book/property
    2. Script - write up a script.  
  3. Get a pilot.
  4. Breakdown and budget. 

Thursday, January 22, 2015

Guest Speaker: Sandra Schulberg

- Film Produccer
- IFP (Independent Film Makers)
-Don't solely define success by financial success.
  • Communication
  • Artistic Value

Thursday, January 15, 2015

Guest Speaker: Sam Perez

- Keep a production Journal
- Document EVERYTHING. It will be nice to go back and look at what you've done.
- Keep permits that you receive forever.
- oneofthegoodguysproduction.blogspot.com
- give a release form to everyone.
- Make sure that permits are handed out to everyone. People need to have permits to get in and out of places if they need. You'll get shut down if you don't have proof of permits.